PITOU — 100 ANOS AMÁLIA
© Tiago Cerveira
In the center the piano and inside a potential voice, waiting for whoever discovers it, whoever is able to make it their own.
So one day Alain Oulman sat in front of Lisbon, in front of poetry, in front of fado and in front of the world, working on the dream of singing it with Amália's voice.
100 years after Amália was born and 50 years after the album “Com que voz” was published, what this show wants now is to invite the audience to witness this meeting, carried by the dance of fado with other voices of music, between bodies and images, who knows, even allowing each one of us to dare being part of that meeting.
So one day Alain Oulman sat in front of Lisbon, in front of poetry, in front of fado and in front of the world, working on the dream of singing it with Amália's voice.
100 years after Amália was born and 50 years after the album “Com que voz” was published, what this show wants now is to invite the audience to witness this meeting, carried by the dance of fado with other voices of music, between bodies and images, who knows, even allowing each one of us to dare being part of that meeting.